Making the first tragic existential philosophy, the doctrine of Schopenhauer ascribes the origin of the simultaneously tragic, absurd and painful character of existence to wanting to live, implying a pessimism that imposes a negative condition to happiness, as the suffering emerges as the foundation of all life, becoming aesthetic pleasure as a possibility to overcome the pain and boredom, as noted in the article whose work shows the correlation involving the perspective of the metaphysics of will and Nietzsche's thought that, pausing in nihilism as a event that expresses the negation of life and converges to its own overcoming, overlaps the metaphysical dualism the principle of multiple-unit construction through its metaphysical artist, which implies a movement of ethical awareness for artistic pathos.