The discussion about the concepts of cave art and painting settled the basis of the project in the archaelogical site of Cueva de las Manos in Argentina, along with the use of the immersive technology of VR and the 360° video as a methodology to explore visuality understood as a corporal act. Our hypothesis maintains that the concept of ´aesthetic experience´ is not exclusively artistic, in its modern sense and the immersive medium allows the users to experience in the Cave, as a Virtual Denkraum, the spatial and cinematic sensoriality of the image, that poses open questions, instead of the need to decode a meaning in the pictures or ?read? a finished account.