This theological reflection is a motivation to walk in the footsteps of Marcella Althaus-Reid to discover the disruptive principles of Latin American Queer Theology. Between tangos and popular music, libertine evocations and dissident stories, prosthetic considerations, and transit strategies, this indecent text indicates some revitalizing ideas that manifest the need to think and inhabit the Global South in a more queer way. The voice of the South is powerfully theological and potentially revolutionary.